BEGIN:VCALENDAR VERSION:2.0 PRODID:-//jEvents 2.0 for Joomla//EN CALSCALE:GREGORIAN METHOD:PUBLISH BEGIN:VTIMEZONE TZID:Europe/Paris BEGIN:STANDARD DTSTART:20211031T020000 RDATE:20220327T030000 TZOFFSETFROM:+0200 TZOFFSETTO:+0100 TZNAME:Europe/Paris CET END:STANDARD BEGIN:STANDARD DTSTART:20221030T020000 RDATE:20230326T030000 TZOFFSETFROM:+0200 TZOFFSETTO:+0100 TZNAME:Europe/Paris CET END:STANDARD BEGIN:STANDARD DTSTART:20231029T020000 RDATE:20240331T030000 TZOFFSETFROM:+0200 TZOFFSETTO:+0100 TZNAME:Europe/Paris CET END:STANDARD BEGIN:STANDARD DTSTART:20241027T020000 RDATE:20250330T030000 TZOFFSETFROM:+0200 TZOFFSETTO:+0100 TZNAME:Europe/Paris CET END:STANDARD BEGIN:STANDARD DTSTART:20251026T020000 RDATE:20260329T030000 TZOFFSETFROM:+0200 TZOFFSETTO:+0100 TZNAME:Europe/Paris CET END:STANDARD BEGIN:STANDARD DTSTART:20261025T020000 RDATE:20270328T030000 TZOFFSETFROM:+0200 TZOFFSETTO:+0100 TZNAME:Europe/Paris CET END:STANDARD BEGIN:STANDARD DTSTART:20271031T020000 RDATE:20280326T030000 TZOFFSETFROM:+0200 TZOFFSETTO:+0100 TZNAME:Europe/Paris CET END:STANDARD BEGIN:DAYLIGHT DTSTART:20210918T100000 RDATE:20211031T020000 TZOFFSETFROM:+0100 TZOFFSETTO:+0200 TZNAME:Europe/Paris CEST END:DAYLIGHT BEGIN:DAYLIGHT DTSTART:20220327T030000 RDATE:20221030T020000 TZOFFSETFROM:+0100 TZOFFSETTO:+0200 TZNAME:Europe/Paris CEST END:DAYLIGHT BEGIN:DAYLIGHT DTSTART:20230326T030000 RDATE:20231029T020000 TZOFFSETFROM:+0100 TZOFFSETTO:+0200 TZNAME:Europe/Paris CEST END:DAYLIGHT BEGIN:DAYLIGHT DTSTART:20240331T030000 RDATE:20241027T020000 TZOFFSETFROM:+0100 TZOFFSETTO:+0200 TZNAME:Europe/Paris CEST END:DAYLIGHT BEGIN:DAYLIGHT DTSTART:20250330T030000 RDATE:20251026T020000 TZOFFSETFROM:+0100 TZOFFSETTO:+0200 TZNAME:Europe/Paris CEST END:DAYLIGHT BEGIN:DAYLIGHT DTSTART:20260329T030000 RDATE:20261025T020000 TZOFFSETFROM:+0100 TZOFFSETTO:+0200 TZNAME:Europe/Paris CEST END:DAYLIGHT BEGIN:DAYLIGHT DTSTART:20270328T030000 RDATE:20271031T020000 TZOFFSETFROM:+0100 TZOFFSETTO:+0200 TZNAME:Europe/Paris CEST END:DAYLIGHT END:VTIMEZONE BEGIN:VEVENT UID:490e38e6944aa1f1cbf67d8dbd7ddf33 CATEGORIES:Séminaire du CREM, CREM CREATED:20220711T110537 SUMMARY:Cosmologies of musical health practices LOCATION:Lesc – salle 308F (3e étage) - 21\, allée de l’Université\, Nanterre\, \, 9 2000\, France DESCRIPTION:With Bernd Brabec de Mori*\nFrom ritual practices among Indigenous people t o clinical music therapy in post-industrial contexts, the investigation int o the effects and impacts of sound and music on wellbeing constitutes a bur geoning area of scholarly inquiry. Studies in music psychology and clinical music therapy isolate specific musical techniques and sounds in laboratory and clinical contexts, while ethnomusicological and anthropological invest igations contextualise sound and music, seeing them as integral parts of sp ecific societies and their respective worldviews and constructions of meani ng. However, the specific relationship between the practical applications o f sound and music and the metaphysical experiences and manifestations assoc iated with corresponding health practices, has hitherto received little att ention, especially in contemporary Central European contexts of music thera py and sound healing.\nBased on a series of interviews and participant obse rvation among musical health practitioners, I will present some preliminary findings on their ontological constructions of musical efficacy: which ent ities do exist in the musical universe, how are these conceived and interac ted with, and how can they be talked about in a modern European language. T hese preliminary findings will be put into relation with work in the ontolo gy of sound and listening, as well as with Indigenous cosmological construc tions of musical efficacy. Thus, a contextualization of modern Central Euro pean concepts among concepts from different parts of the world can be envis ioned and will be discussed.\n* Bernd Brabec de Mori received his PhD in mu sicology from the University of Vienna. He has been working for five years in the field among Indigenous People in the Peruvian lowland rainforests. A fter returning to Europe in 2006, he has been teaching and researching, amo ng other institutions, at the Phonogrammarchiv of the Austrian Academy of S ciences, at the department for social and cultural anthropology at Philipps -University Marburg, at the centre for systematic musicology of Karl-Franze ns-University Graz. Currently he holds a tenure track position at the Unive rsity of Innsbruck, Austria. He published a couple of books, among them Die Lieder der Richtigen Menschen [Songs of the Real People] (2015), Sudaméric a y sus mundos audibles [South America and its auditory worlds] (2015), and Auditive Wissenskulturen [Auditory knowledge cultures] (2018), as well as research articles in the areas of Indigenous vocal music, medical ethnomusi cology, sound perception, and auditory knowledge. \nORCID:0000-0002-2150-49 24\n X-ALT-DESC;FMTTYPE=text/html:Rembrandt van Rijn, "Sa ul and David", oil on canvas, ca 1655.

With Bernd Brabec de Mori *

From ritual practices among Indigenous people to clinical music therapy in post-industrial contexts, the investigation into the effec ts and impacts of sound and music on wellbeing constitutes a burgeoning are a of scholarly inquiry. Studies in music psychology and clinical music ther apy isolate specific musical techniques and sounds in laboratory and clinic al contexts, while ethnomusicological and anthropological investigations co ntextualise sound and music, seeing them as integral parts of specific soci eties and their respective worldviews and constructions of meaning. However , the specific relationship between the practical applications of sound and music and the metaphysical experiences and manifestations associated with corresponding health practices, has hitherto received little attention, esp ecially in contemporary Central European contexts of music therapy and soun d healing.

Based on a series of interviews and participant observatio n among musical health practitioners, I will present some preliminary findi ngs on their ontological constructions of musical efficacy: which entities do exist in the musical universe, how are these conceived and interacted wi th, and how can they be talked about in a modern European language. These p reliminary findings will be put into relation with work in the ontology of sound and listening, as well as with Indigenous cosmological constructions of musical efficacy. Thus, a contextualization of modern Central European c oncepts among concepts from different parts of the world can be envisioned and will be discussed.

* Bernd Brabec de Mori received his PhD in mus icology from the University of Vienna. He has been working for five years i n the field among Indigenous People in the Peruvian lowland rainforests. Af ter returning to Europe in 2006, he has been teaching and researching, amon g other institutions, at the Phonogrammarchiv of the Austrian Academy of Sc iences, at the department for social and cultural anthropology at Philipps- University Marburg, at the centre for systematic musicology of Karl-Franzen s-University Graz. Currently he holds a tenure track position at the Univer sity of Innsbruck, Austria. He published a couple of books, among them D ie Lieder der Richtigen Menschen [Songs of the Real People] (2015), Sud américa y sus mundos audibles [South America and its auditory worlds] (2015 ), and Auditive Wissenskulturen [Auditory knowledge cultures] (2018) , as well as research articles in the areas of Indigenous vocal music, medi cal ethnomusicology, sound perception, and auditory knowledge. 

ORCID:0000-0002-2150-4924

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