With Bernd Brabec de Mori*
From ritu al practices among Indigenous people to clinical music therapy in post-indu strial contexts, the investigation into the effects and impacts of sound an d music on wellbeing constitutes a burgeoning area of scholarly inquiry. St udies in music psychology and clinical music therapy isolate specific music al techniques and sounds in laboratory and clinical contexts, while ethnomu sicological and anthropological investigations contextualise sound and musi c, seeing them as integral parts of specific societies and their respective worldviews and constructions of meaning. However, the specific relationshi p between the practical applications of sound and music and the metaphysica l experiences and manifestations associated with corresponding health pract ices, has hitherto received little attention, especially in contemporary Ce ntral European contexts of music therapy and sound healing.
Based on a series of interviews and participant observation among musical health pra ctitioners, I will present some preliminary findings on their ontological c onstructions of musical efficacy: which entities do exist in the musical un iverse, how are these conceived and interacted with, and how can they be ta lked about in a modern European language. These preliminary findings will b e put into relation with work in the ontology of sound and listening, as we ll as with Indigenous cosmological constructions of musical efficacy. Thus, a contextualization of modern Central European concepts among concepts fro m different parts of the world can be envisioned and will be discussed.
* Bernd Brabec de Mori received his PhD in musicology from the Universit y of Vienna. He has been working for five years in the field among Indigeno us People in the Peruvian lowland rainforests. After returning to Europe in 2006, he has been teaching and researching, among other institutions, at t he Phonogrammarchiv of the Austrian Academy of Sciences, at the department for social and cultural anthropology at Philipps-University Marburg, at the centre for systematic musicology of Karl-Franzens-University Graz. Current ly he holds a tenure track position at the University of Innsbruck, Austria . He published a couple of books, among them Die Lieder der Richtigen Me nschen [Songs of the Real People] (2015), Sudamérica y sus mundos audib les [South America and its auditory worlds] (2015), and Auditive Wissens kulturen [Auditory knowledge cultures] (2018), as well as research arti cles in the areas of Indigenous vocal music, medical ethnomusicology, sound perception, and auditory knowledge.
ORCID:0000-0002-2150-4924<
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With Bernd Brabec de Mori *
From ritual practices among Indigenous people to clinical music therapy in post-industrial contexts, the investigation into the effec ts and impacts of sound and music on wellbeing constitutes a burgeoning are a of scholarly inquiry. Studies in music psychology and clinical music ther apy isolate specific musical techniques and sounds in laboratory and clinic al contexts, while ethnomusicological and anthropological investigations co ntextualise sound and music, seeing them as integral parts of specific soci eties and their respective worldviews and constructions of meaning. However , the specific relationship between the practical applications of sound and music and the metaphysical experiences and manifestations associated with corresponding health practices, has hitherto received little attention, esp ecially in contemporary Central European contexts of music therapy and soun d healing.
Based on a series of interviews and participant observatio n among musical health practitioners, I will present some preliminary findi ngs on their ontological constructions of musical efficacy: which entities do exist in the musical universe, how are these conceived and interacted wi th, and how can they be talked about in a modern European language. These p reliminary findings will be put into relation with work in the ontology of sound and listening, as well as with Indigenous cosmological constructions of musical efficacy. Thus, a contextualization of modern Central European c oncepts among concepts from different parts of the world can be envisioned and will be discussed.
* Bernd Brabec de Mori received his PhD in mus icology from the University of Vienna. He has been working for five years i n the field among Indigenous People in the Peruvian lowland rainforests. Af ter returning to Europe in 2006, he has been teaching and researching, amon g other institutions, at the Phonogrammarchiv of the Austrian Academy of Sc iences, at the department for social and cultural anthropology at Philipps- University Marburg, at the centre for systematic musicology of Karl-Franzen s-University Graz. Currently he holds a tenure track position at the Univer sity of Innsbruck, Austria. He published a couple of books, among them D ie Lieder der Richtigen Menschen [Songs of the Real People] (2015), Sud américa y sus mundos audibles [South America and its auditory worlds] (2015 ), and Auditive Wissenskulturen [Auditory knowledge cultures] (2018) , as well as research articles in the areas of Indigenous vocal music, medi cal ethnomusicology, sound perception, and auditory knowledge.
ORCID:0000-0002-2150-4924
DTSTAMP:20260429T084119 DTSTART;TZID=Europe/Paris:20220919T100000 DTEND;TZID=Europe/Paris:20220919T120000 SEQUENCE:0 TRANSP:OPAQUE END:VEVENT END:VCALENDAR