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UID:9090c4909261f6a2f7eba8d867771a64
CATEGORIES:Atelier « Asie du Sud-Himalaya – Sud-Est asiatique »
CREATED:20170920T154707
SUMMARY:GUILLEBAUD, Christine (LESC-CREM) - Politiques de gestion du bruit et de la pollution sonore dans l'Inde contemporaine
LOCATION:Lesc – salle 308F (3e étage) - 21\, allée de l’Université\, Nanterre\, \, 9
 2000\, France
DESCRIPTION:Christine GUILLEBAUD nous propose les textes et documents sonores suivants 
 pour préparer l’atelier :\n\n - Ch. Guillebaud (2017a), Introduction. Multi
 ple Listenings. Anthropology of Sound Worlds, in Ch. Guillebaud (ed.), Towa
 rd an Anthropology of Ambient Sound. New-York/London: Routledge, Anthropolo
 gy series, pp. 1-18. \nLire l'introduction: https://www.dropbox.com/s/299cz
 c6f81ujhcd/Guillebaud_2017_Intro_routledge.pdf?dl=0\n\n-  Ch. Guillebaud (2
 017b), Standing out from the crowd. Vocal and sound techniques for catching
  peoples’ attention in an Indian bus stand, in Ch. Guillebaud (ed.), Toward
  an Anthropology of Ambient Sound. New-York/London: Routledge, Anthropology
  series, pp. 77-97.\nLire le chapitre: https://www.dropbox.com/s/jxak2kw2lf
 n3u5t/guillebaud_2017_chap4_routledge.pdf?dl=0\nConsulter les documents aud
 io et vidéo : http://milson.fr/publications/routledge-edited-volume/routled
 ge_media/guillebaud (http://milson.fr/publications/routledge-edited-volume/
 routledge_media/guillebaud/)\n\n - Ch. Guillebaud (2018), Du sonneur à l’in
 génieur. A propos de l’automatisation des cloches d’églises au Kerala, in I
 . Henrion-Dourcy et K. Buffetrille (éds.), Hommages offerts à MH. Paris : L
 ’Asiathèque, pp. 274-304. \nLire le chapitre: https://www.dropbox.com/s/ogz
 8uehhyrn7tyg/guillebaud_2018_bellringer.pdf?dl=0\n\n - Ch. Guillebaud (2009
 ), Musique mécanique et temple hindou : histoire controversée d’un disposit
 if visuel et sonore. Terrain 53, pp. 98-113.\nLire l'article: https://halsh
 s.archives-ouvertes.fr/halshs-00416206/document\n\n - T. Chandola (2012), L
 istening into others: moralising the soundscapes in Delhi, International De
 velopment Planning Review 34 (4), pp. 391-408.\nLire l'article : https://ww
 w.dropbox.com/s/b1nrz35ntla70k7/Tchandola_2012_Listening_into_Others.pdf?dl
 =0\n\n - M. Roberts (1990), Noise as Cultural struggle: Tom-Tom Beating, th
 e British, and Communal Disturbances in Sri Lanka, 1880s-1930s, in Veena Da
 s (ed), Mirrors of Violence. Communities, Riots, and Survivors in South Asi
 a. Delhi : Oxford University Press.
X-ALT-DESC;FMTTYPE=text/html:<span style="font-family: 'times new roman', serif;"><span style="font-size
 : 10pt;">Christine <strong>GUILLEBAUD</strong> <span style="background: non
 e 0% 0% repeat scroll white;">nous propose les textes et documents sonores 
 suivants pour préparer l’atelier&nbsp;:</span></span></span><br /><br /> <s
 pan style="font-family: 'times new roman', serif;"><span style="font-size: 
 10pt;">- Ch. Guillebaud (2017a), <strong>Introduction. Multiple Listenings.
  Anthropology of Sound Worlds</strong>, in Ch. Guillebaud (ed.), <em>Toward
  an Anthropology of Ambient Sound</em>. New-York/London: Routledge, Anthrop
 ology series, pp. 1-18. </span></span><br /><span style="font-family: 'time
 s new roman', serif;"><span style="font-size: 10pt;">Lire l'introduction: <
 a href="https://www.dropbox.com/s/299czc6f81ujhcd/Guillebaud_2017_Intro_rou
 tledge.pdf?dl=0" target="_blank" data-saferedirecturl="https://www.google.c
 om/url?hl=fr&amp;q=https://www.dropbox.com/s/299czc6f81ujhcd/Guillebaud_201
 7_Intro_routledge.pdf?dl%3D0&amp;source=gmail&amp;ust=1515743565523000&amp;
 usg=AFQjCNFQzrWm8ERw25uJ0oM4v5a0yfadaw">https://www.dropbox.com/s/299c<wbr 
 />zc6f81ujhcd/Guillebaud_2017_In<wbr />tro_routledge.pdf?dl=0</a></span></s
 pan><br /><br /><span style="font-family: 'times new roman', serif;"><stron
 g><span style="font-size: 10pt; font-weight: normal;">- </span></strong><sp
 an style="font-size: 10pt;">&nbsp;Ch. Guillebaud (2017b), <strong>Standing 
 out from the crowd. Vocal and sound techniques for catching peoples’ attent
 ion in an Indian bus stand</strong>, in Ch. Guillebaud (ed.), <em>Toward an
  Anthropology of Ambient Sound</em>. New-York/London: Routledge, Anthropolo
 gy series, pp. 77-97.</span></span><br /><span style="font-family: 'times n
 ew roman', serif;"><span style="font-size: 10pt;">Lire le chapitre: <a href
 ="https://www.dropbox.com/s/jxak2kw2lfn3u5t/guillebaud_2017_chap4_routledge
 .pdf?dl=0" target="_blank" data-saferedirecturl="https://www.google.com/url
 ?hl=fr&amp;q=https://www.dropbox.com/s/jxak2kw2lfn3u5t/guillebaud_2017_chap
 4_routledge.pdf?dl%3D0&amp;source=gmail&amp;ust=1515743565523000&amp;usg=AF
 QjCNHFkDtWWst8qF--a58eMV4yK_EFaA">https://www.dropbox.com/s/jxak<wbr />2kw2
 lfn3u5t/guillebaud_2017_ch<wbr />ap4_routledge.pdf?dl=0</a></span></span><b
 r /><span style="font-family: 'times new roman', serif;"><span style="font-
 size: 10pt;">Consulter les documents audio et vidéo : <a href="http://milso
 n.fr/publications/routledge-edited-volume/routledge_media/guillebaud/" targ
 et="_blank" data-saferedirecturl="https://www.google.com/url?hl=fr&amp;q=ht
 tp://milson.fr/publications/routledge-edited-volume/routledge_media/guilleb
 aud/&amp;source=gmail&amp;ust=1515743565524000&amp;usg=AFQjCNFnA_NIDUQFBRgw
 STOyFuSxDHRokA">http://milson.fr/publications/<wbr />routledge-edited-volum
 e/routle<wbr />dge_media/guillebaud</a></span></span><br /><br /> <span sty
 le="font-family: 'times new roman', serif;"><strong><span style="font-size:
  10pt; font-weight: normal;">- </span></strong><span style="font-size: 10pt
 ;">Ch. Guillebaud (2018), <strong>Du sonneur à l’ingénieur. A propos de l’a
 utomatisation des cloches d’églises au Kerala</strong>, in I. Henrion-Dourc
 y et K. Buffetrille (éds.), <em>Hommages offerts à MH</em>. Paris&nbsp;: L’
 Asiathèque, pp. 274-304. </span></span><br /><span style="font-family: 'tim
 es new roman', serif;"><span style="font-size: 10pt;">Lire le chapitre: <a 
 href="https://www.dropbox.com/s/ogz8uehhyrn7tyg/guillebaud_2018_bellringer.
 pdf?dl=0" target="_blank" data-saferedirecturl="https://www.google.com/url?
 hl=fr&amp;q=https://www.dropbox.com/s/ogz8uehhyrn7tyg/guillebaud_2018_bellr
 inger.pdf?dl%3D0&amp;source=gmail&amp;ust=1515743565524000&amp;usg=AFQjCNGh
 tVhDQ_5Gdh9k4IBH5xufxUKIKg">https://www.dropbox.com/s/ogz8<wbr />uehhyrn7ty
 g/guillebaud_2018_be<wbr />llringer.pdf?dl=0</a></span></span><br /><br /> 
 <span style="font-family: 'times new roman', serif;"><strong><span style="f
 ont-size: 10pt; font-weight: normal;">- </span></strong><span style="font-s
 ize: 10pt;">Ch. Guillebaud (2009), <strong>Musique mécanique et temple hind
 ou : histoire controversée d’un dispositif visuel et sonore</strong>. <em>T
 errain </em>53, pp. 98-113.</span></span><br /><span style="font-family: 't
 imes new roman', serif;"><span style="font-size: 10pt;">Lire l'article: <a 
 href="https://halshs.archives-ouvertes.fr/halshs-00416206/document" target=
 "_blank" data-saferedirecturl="https://www.google.com/url?hl=fr&amp;q=https
 ://halshs.archives-ouvertes.fr/halshs-00416206/document&amp;source=gmail&am
 p;ust=1515743565524000&amp;usg=AFQjCNHF3tw8EwFA5yp43W5rNKpjq58K2Q">https://
 halshs.archives-ouvert<wbr />es.fr/halshs-00416206/document</a></span></spa
 n><br /><br /> <span style="font-family: 'times new roman', serif;"><span s
 tyle="font-size: 10pt;"><span class="m_4966732380649513201gmail-m_-60764838
 87498155495gmail-m_3451325728040500885gmail-m4164615835801914197fieldvalue"
 ><strong>- </strong>T. Chandola (2012),<strong> </strong></span><strong>Lis
 tening into others: moralising the soundscapes in Delhi</strong>, <span cla
 ss="m_4966732380649513201gmail-m_-6076483887498155495gmail-m_34513257280405
 00885gmail-m4164615835801914197fieldvalue"><i>International Development Pla
 nning Review </i>34 (4), pp. 391-408.</span></span></span><br /><span style
 ="font-family: 'times new roman', serif;"><span class="m_496673238064951320
 1gmail-m_-6076483887498155495gmail-m_3451325728040500885gmail-m416461583580
 1914197fieldvalue"><span style="font-size: 10pt;">Lire l'article : <a href=
 "https://www.dropbox.com/s/b1nrz35ntla70k7/Tchandola_2012_Listening_into_Ot
 hers.pdf?dl=0" target="_blank" data-saferedirecturl="https://www.google.com
 /url?hl=fr&amp;q=https://www.dropbox.com/s/b1nrz35ntla70k7/Tchandola_2012_L
 istening_into_Others.pdf?dl%3D0&amp;source=gmail&amp;ust=1515743565524000&a
 mp;usg=AFQjCNFVUg38iZNyDeI9k0wFbncSMsgJQg">https://www.dropbox.com/s/b1nr<w
 br />z35ntla70k7/Tchandola_2012_Lis<wbr />tening_into_Others.pdf?dl=0</a></
 span></span></span><br /><br /> <span style="font-family: 'times new roman'
 , serif;"><span style="font-size: 10pt;">- M. Roberts (1990), <strong>Noise
  as Cultural struggle: Tom-Tom Beating, the British, and Communal Disturban
 ces in Sri Lanka, 1880s-1930s</strong>, in Veena Das (ed), <i>Mirrors of Vi
 olence. Communities, Riots, and Survivors in South Asia</i>. Delhi&nbsp;: O
 xford University Press.</span></span>
DTSTAMP:20260429T091048
DTSTART;TZID=Europe/Paris:20180118T173000
DTEND;TZID=Europe/Paris:20180118T193000
SEQUENCE:0
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