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UID:95da22aced8b59abf35b2d1b75eec3ca
CATEGORIES:Séminaire du CREM, CREM
CREATED:20170919T122411
SUMMARY:Cold War Soundscapes - Musical Censorship and Aesthetic Agendas in Radio Tirana's Sound Archives,  Eckehard Pistrick
LOCATION:Lesc – salle 308F (3e étage) - 21\, allée de l’Université\, Nanterre\, \, 9
 2000\, France
DESCRIPTION:The presentation examines through a sound studies perspective one of the ol
 dest broadcasting archives in Europe, founded in 1938. It particularly focu
 ses on the taxonomy of a "Cold War Archive" and its ideological implication
 s rooted in a vague and arbitrarily applied notion of "socialist realism". 
 It will as well present first hand sources about how musical censorship on 
 different levels (music aesthetics, textual, biographical) was applied on a
 rchived sound sources and what visual codes were used to denounce exclusion
  and defamation of musical works or artists. In a second part the talk will
  highlight the artistic potential of such sound archives, introducing my ar
 tistic collaboration with the Soundwalk Collective on censored sounds, as w
 ell as silences and absences in the archive.
X-ALT-DESC;FMTTYPE=text/html:<img src="https://mail.lesc-cnrs.fr/images/scalapi/eventscrem/Foto-Radio-Ti
 rana.jpg" alt="Foto Radio Tirana" style="margin-right: 10px; margin-bottom:
  10px; float: left;" />The presentation examines through a sound studies pe
 rspective one of the oldest broadcasting archives in Europe, founded in 193
 8. It particularly focuses on the taxonomy of a "Cold War Archive" and its 
 ideological implications rooted in a vague and arbitrarily applied notion o
 f "socialist realism". It will as well present first hand sources about how
  musical censorship on different levels (music aesthetics, textual, biograp
 hical) was applied on archived sound sources and what visual codes were use
 d to denounce exclusion and defamation of musical works or artists. In a se
 cond part the talk will highlight the artistic potential of such sound arch
 ives, introducing my artistic collaboration with the Soundwalk Collective o
 n censored sounds, as well as silences and absences in the archive.
DTSTAMP:20260429T083429
DTSTART;TZID=Europe/Paris:20171016T140000
DTEND;TZID=Europe/Paris:20171016T160000
SEQUENCE:0
TRANSP:OPAQUE
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